Naomi Tomkys was born in London and trained at Central St. Martins. Now based in Cambridgeshire, she has exhibited her work both nationally and internationally, including The Mall Gallery, Sak and Catto Contemporary in London, and in exhibitions and collections as far afield as Paris, Texas, LA, Chicago, Kuwait and Dubai. In 2022, Tomkys received an Arts Council Award to develop her practice.
Her recent accolades include selection for the prestigious Florence Biennale 2025 and an Artboxy Award for her participation in Swissartexpo 2025. Her work also features in the D’Albret Collection, and she is soon to take up an art residency in Steckborn.
“For as long as I can remember, I’ve played the same people-watching game. I image what strangers walking past do, who they love and what’s in their pockets. My work is a development of this simple idea, I paint characters not figures. I present their stories.”
Naomi Tomkys grew up in London where she attended Central St. Martins School of Art. She now lives and works in Cambridgeshire. Her inspiration comes from the day-to-day moments that make her smile.
Tomkys engages with a broad range of subject matters from tourists punting to festival goers. She portrays a world of authenticity reflecting moments in time as joys and the idiosyncrasies of daily life. Her influences are eclectic ranging from the humanity of Edward Hopper to the narratives of Paula Rego.
Although her subject matter varies, a merging of past and present plays a significant part in all of Tomkys’ work acting as shorthand for our cultural familiarities. It can be seen in a child wearing a Che Guevara T-shirt on a school trip or a group of Cambridge men in their uniform of Panama hats as the sun comes out. Each painting reflecting a cinematic approach to her own interests in dynamic composition, nostalgia, and storytelling.
“My aim is to reflect a sense of personality in my paintings by collecting drawn people and inviting you to see what you will. I want my work to muster a familiar happiness, to laugh at the small things and feel a little warmer”.
Tomkys’ work straddles realism and impressionism with changing looseness of brushstroke reflecting the tales being told. Tomkys uses traditional oil painting techniques including chiaroscuro, imprimatura, mass tone and glazing to explore her subjects. A limited classical palette, primarily focussing on skin tones, results in a controlled, explorative and joyous body of work celebrating colour.
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